Spoiler warning: I hated everything about this book. Reading this book has been several years in the waiting. It is one of the last two books I had on the original 100 Greatest Books list I started, the Sybervision Book List (a list from a now defunct company). The book was an attempt at cataloguing the progression of history up to the 1920's when the book was written from a rather Euro-centric point of view, specifically a German point of view. However my problems with this book are almost immediate. I don't know if it was the particular translation, which also was atrocious, or the original text, however I feel it was a mixture of both. This translation, which seems to be the one most commonly around, was by Charles Francis Atkinson also from the 1920's. The text is almost incomprehensible at times. The ideas the author was trying to get across got lost more often than they were found and frequently the author (I assume it was the author) would leave words in their original Greek or other language, of which the reader couldn't even begin to decipher. My favorite parts though (sarcasm) were when the translator felt the need to constantly add his two cents in to the text. Like, shut up, this isn't your book. The topics are also widely all over the place. He jumps around the timeline across centuries within sentences of each other and fails to use the "BC" or "AD" identifier on times more often than not. And a lot of his concepts are downright just wrong. He has an entire chapter about how Darwin was just wrong and although he doesn't mention his alternative, it seems he is in favor of Lamarck but his reasoning is inconsistent. The book reads much like this was a literary essay or textbook where the author was just given access to a series of Encyclopedias, to the point that on nearly every page the translator cites an encyclopedia entry. It's dull, difficult to follow, and at many times it is just inaccurate. However, there were some light points. I did find some of his information intriguing, when I could decipher the text. I appreciated the agnostic approach to religion within the text. And he appeared to have some insight into the evolution of Germany at the time, which he was opposed to. His overall point was the Europe at this time was the pinnacle of society, however it had become stagnated since the Middle Ages in many cases and was slowly going to be overun by Asian society and ideals. So overall, it was terrible. I honestly don't understand how anyone could praise this work, although an abridged version might be much easier to follow and if one only sticks to Volume 1. Then maybe?
"The Remnant of Dino Jim's Thoughts" is what is left over when you remove all of my geological thoughts and teachings. This is the place for my personal, literary, and Star Wars posts.
Showing posts with label Sybervision Book Lists. Show all posts
Showing posts with label Sybervision Book Lists. Show all posts
Monday, February 17, 2025
The 305 Greatest Books - #184: The Decline of the West by Oswald Spengler
The next up on my reading of the 305 greatest books is The Decline of the West by Oscar Spengler. The book can be found on the Sybervision Book List.
Wednesday, March 8, 2017
The 306 Greatest Books #145 - Idylls of the King
The next up on my reading of the 306 greatest books is Idylls of the King by Alfred Lord Tennyson. This book can be found on the Sybervision Book List.
Idylls of the King is an epic poem written in free verse describing the time of King Arthur from when he meets Guinevere until his death and the collapse of his Round Table. This is a spiritual sequel to The Lady of the Lake, and in more than one instance I had wished I had read that story immediately before beginning this one (although reading my review of how much I didn't like it, I'm glad I didn't). At first, while reading through this poem I was greatly dismayed due to the difficulty in understanding anything that was going on. I would get lost in the poem not knowing who did what, or why, or even care who or why. I realized this had to be one of those stories where I read a summary of the events in each section before I read the section. After I started doing that, the story became much easier to follow. If I became lost at any point, I was able to pick the story thread back up fairly easily. The story is laid out in 12 chapters. Each chapter is essentially a stand alone story that occurs during the time of King Arthur, with few threads weaving through the whole narrative. The narrative builds though, and by the end it does make a bit of sense. The primary underlying theme of the stories is Lancelot's eternal love for Queen Guinevere and how eventually they become lovers, bringing the downfall of Camelot. The story itself is often sparse, being filled with the flowery language of the poem. At times the poem is exquisitely worded, however those times would come and go. One thing that stood out to me was the consistently incorrect use of the words "past" instead of "passed" and "bad" instead of "bade". I wasn't sure if it was an editorial issue or that's just how it was, but it drove me nuts. Overall, I was rather bored by the poem and just wished it would be over. Luckily, it's short and the ending came pretty quickly.
Idylls of the King is an epic poem written in free verse describing the time of King Arthur from when he meets Guinevere until his death and the collapse of his Round Table. This is a spiritual sequel to The Lady of the Lake, and in more than one instance I had wished I had read that story immediately before beginning this one (although reading my review of how much I didn't like it, I'm glad I didn't). At first, while reading through this poem I was greatly dismayed due to the difficulty in understanding anything that was going on. I would get lost in the poem not knowing who did what, or why, or even care who or why. I realized this had to be one of those stories where I read a summary of the events in each section before I read the section. After I started doing that, the story became much easier to follow. If I became lost at any point, I was able to pick the story thread back up fairly easily. The story is laid out in 12 chapters. Each chapter is essentially a stand alone story that occurs during the time of King Arthur, with few threads weaving through the whole narrative. The narrative builds though, and by the end it does make a bit of sense. The primary underlying theme of the stories is Lancelot's eternal love for Queen Guinevere and how eventually they become lovers, bringing the downfall of Camelot. The story itself is often sparse, being filled with the flowery language of the poem. At times the poem is exquisitely worded, however those times would come and go. One thing that stood out to me was the consistently incorrect use of the words "past" instead of "passed" and "bad" instead of "bade". I wasn't sure if it was an editorial issue or that's just how it was, but it drove me nuts. Overall, I was rather bored by the poem and just wished it would be over. Luckily, it's short and the ending came pretty quickly.
Sunday, February 19, 2017
The 306 Greatest Books #144 - The Red and the Black
The next up on my reading of the 306 greatest books is The Red and the Black by Stendhal. This book can be found on the Sybervision and the Norwegian Book Lists.
Before I started reading The Red and the Black I was warned by a friend who kept saying that it really wasn't a good book. This did not get my hopes very high and I kept pushing the book off. However, since I am at the very end of the Sybervision Book List it was time to sit down and read it. The translation I read was that used in the Everyman's Library and was remarkable easy to read. That made the book rather enjoyable, at least at first, because I could jump right into the book without having to get used to the writing style. In regards to the story, I was under the impression (for some reason, I do not know) that this was a war story, similar to War and Peace or Les Miserables. Oh, how wrong I was. Apparently, this turned out to be a "romance" novel, and not one that was very well constructed. The main character, Julien Sorel, goes through two main loves in the book, which the book is divided into two main parts accordingly. Through most novels, the reader is made to feel for the protagonist, and to hope they succeed. Julien, though, was just a pain in the ass. At times he was overly arrogant, at others he was wishy-washy. He wanted one thing on one page, then would flip to the exact opposite the next. And the women he was lusting over had the same problems. The back and forths got to be so bad that I couldn't really care less what happened at any one moment, I just wished the story would progress somewhere, anywhere. I did find the hints of a fascinating story mixed in there though. There was at one point that Julien seemed to get mixed up in the politics of the time (just after the fall of Napoleon), which was the aristocracy versus the church, and he was to travel to England to deliver a message. However, that story-line was dropped so quickly that I had to go back and reread a few pages to find out what happened. That excitement is what gives me hope that the other Stendhal novel on my list, The Charterhouse of Parma, could be a great read, but I'm not holding out too much hope. Overall, the style of writing was very easy to follow and I just flew through this rather long novel, but the story itself kept having me banging my head against the wall. There is no way can I endorse this garbled mess.
Before I started reading The Red and the Black I was warned by a friend who kept saying that it really wasn't a good book. This did not get my hopes very high and I kept pushing the book off. However, since I am at the very end of the Sybervision Book List it was time to sit down and read it. The translation I read was that used in the Everyman's Library and was remarkable easy to read. That made the book rather enjoyable, at least at first, because I could jump right into the book without having to get used to the writing style. In regards to the story, I was under the impression (for some reason, I do not know) that this was a war story, similar to War and Peace or Les Miserables. Oh, how wrong I was. Apparently, this turned out to be a "romance" novel, and not one that was very well constructed. The main character, Julien Sorel, goes through two main loves in the book, which the book is divided into two main parts accordingly. Through most novels, the reader is made to feel for the protagonist, and to hope they succeed. Julien, though, was just a pain in the ass. At times he was overly arrogant, at others he was wishy-washy. He wanted one thing on one page, then would flip to the exact opposite the next. And the women he was lusting over had the same problems. The back and forths got to be so bad that I couldn't really care less what happened at any one moment, I just wished the story would progress somewhere, anywhere. I did find the hints of a fascinating story mixed in there though. There was at one point that Julien seemed to get mixed up in the politics of the time (just after the fall of Napoleon), which was the aristocracy versus the church, and he was to travel to England to deliver a message. However, that story-line was dropped so quickly that I had to go back and reread a few pages to find out what happened. That excitement is what gives me hope that the other Stendhal novel on my list, The Charterhouse of Parma, could be a great read, but I'm not holding out too much hope. Overall, the style of writing was very easy to follow and I just flew through this rather long novel, but the story itself kept having me banging my head against the wall. There is no way can I endorse this garbled mess.
Friday, January 20, 2017
The 306 Greatest Books #143 - The Last of the Mohicans
The next up on my reading of the 306 greatest books is The Last of the Mohicans by James Fenimore Cooper. This book can be found on the Sybervision and My Book Lists.

I am conflicted about how I feel about The Last of the Mohicans. In one respect, this book is beautifully written with prose that just oozes with descriptions giving the reader a wonderfully rich experience that isn't overly cumbersome to dive through. On the other hand, this book is horribly racist towards Native Americans, displaying them as "brutal savages" who don't know any better. It is possible to view this book as a product of its time. If this were written today, it wouldn't make it passed the editor's office before being rejected outright. However, at the time it was written, this is how people thought (I assume). It's not even all of the Native American's which are depicted as moralless savages, but they are all given pretty short shrift. I enjoyed the book though, once I was able to get beyond that. The story is basically divided into two parts. The first part is about a group of "white people" trying to make it to Fort William McHenry on Lake George in New York with the help of the last two Mohicans. I know this area very well, since some of my family is from there and I've been to this fort. So this part of the story was fun for me. I could picture the scenes in my head. However, the story was also rather confusing at times, especially keeping all the people straight. Cooper calls the main characters and tribes by different names frequently and alternates with just the first names or just the last names to the point that it took me about 100 pages before I was certain who was who and how many people were actually in the story. In the second part of the story, the group travels up north and I won't go into any more for the risk of spoiling it for someone who may be interested in reading it. I found the ending though very satisfactory and the author didn't pull any punches. Overall, even with the poor representation of the Native Americans, I think this was a very well written, good story. It plays more as a historical reenactment than a work of fiction, and I think that is what helped me get through the more racist elements. So I feel that I can recommend this book.
I am conflicted about how I feel about The Last of the Mohicans. In one respect, this book is beautifully written with prose that just oozes with descriptions giving the reader a wonderfully rich experience that isn't overly cumbersome to dive through. On the other hand, this book is horribly racist towards Native Americans, displaying them as "brutal savages" who don't know any better. It is possible to view this book as a product of its time. If this were written today, it wouldn't make it passed the editor's office before being rejected outright. However, at the time it was written, this is how people thought (I assume). It's not even all of the Native American's which are depicted as moralless savages, but they are all given pretty short shrift. I enjoyed the book though, once I was able to get beyond that. The story is basically divided into two parts. The first part is about a group of "white people" trying to make it to Fort William McHenry on Lake George in New York with the help of the last two Mohicans. I know this area very well, since some of my family is from there and I've been to this fort. So this part of the story was fun for me. I could picture the scenes in my head. However, the story was also rather confusing at times, especially keeping all the people straight. Cooper calls the main characters and tribes by different names frequently and alternates with just the first names or just the last names to the point that it took me about 100 pages before I was certain who was who and how many people were actually in the story. In the second part of the story, the group travels up north and I won't go into any more for the risk of spoiling it for someone who may be interested in reading it. I found the ending though very satisfactory and the author didn't pull any punches. Overall, even with the poor representation of the Native Americans, I think this was a very well written, good story. It plays more as a historical reenactment than a work of fiction, and I think that is what helped me get through the more racist elements. So I feel that I can recommend this book.
Wednesday, December 21, 2016
The 306 Greatest Books #142 - Pilgrim's Progress
The next up on my reading of the 306 greatest books is Pilgrim's Progress by John Bunyan. This book can be found on the Sybervision and Observer Book Lists.
I will start off my review of Pilgrim's Progress with my general review. This is an overly heavy-handed biblical allegory written at an elementary level. First off, almost every single character in the book is a trait that defines the character, i.e. Mr Honest, Faithful, Mr Worldly Wiseman, etc., where sometimes the traits don't even make sense based on the way the character acts. It is as if the author didn't know the definition of some of the words he used. Second, the story is written very poorly. It feels like the writer has never actually written a book before. Phrases are repeated line after line and the setup of the book doesn't make sense. It is written as if it were a play, with the characters name spelled out where they should talk, but then it has a phase like "so and so says this." for instance:
I will start off my review of Pilgrim's Progress with my general review. This is an overly heavy-handed biblical allegory written at an elementary level. First off, almost every single character in the book is a trait that defines the character, i.e. Mr Honest, Faithful, Mr Worldly Wiseman, etc., where sometimes the traits don't even make sense based on the way the character acts. It is as if the author didn't know the definition of some of the words he used. Second, the story is written very poorly. It feels like the writer has never actually written a book before. Phrases are repeated line after line and the setup of the book doesn't make sense. It is written as if it were a play, with the characters name spelled out where they should talk, but then it has a phase like "so and so says this." for instance:
"Christian: 'Truly,' said Christian, 'I do not know.'"
Why would you call out the character that is going to speak, then write again that they are speaking? And the story is beyond hypocritical. Maybe it is because I am not a religious person, but the main character, Christian, complains about nobody listening and doing what he tells them they should do, but he doesn't do anything they tell him he should do. Do as I say not as I do? Every single character is one note, and the women characters in the second part of the story are next to useless. Why make the second part centered around Christian's wife (whom he left willingly) to just make her a useless character that needs everyone around her to do everything for her? In short this is a overly heavy-handed, misogynistic, racist, piece of garbage that I am thankful that I will never have to read again.
Wednesday, December 7, 2016
The 306 Greatest Books #141 - Babbitt
The next up on my reading of the 306 greatest books is Babbitt by Sinclair Lewis. TThis book can be found on the Sybervision Book List.
Babbitt is a rather interesting book. It takes place during the prohibition era of the early 1920's in middle America. It is set in the town of Zenith in a state that does not exist, but the main character, George F. Babbitt, frequently travels outside of Zenith to actual places like Chicago and Maine.The story is about an upper middle-class conservative businessman, who seemed unhappy with his life. Around the midpoint of the story, there is a breaking point that sends Babbitt off the deep end into a midlife crisis. During his midlife crisis, Babbitt eventually finds "liberalism" and "fun" (i.e. drinking and carousing) and it seems like he supports those wanting to make a difference in society (the worker unions) but eventually he is brought back into the conservative/religious/anti-union fold. Although the story seemed to be rather plodding at times, it had an interesting subtext. I got the feeling that the author, Lewis, was promoting liberal thoughts and anti-religion, however in the book, conservatism and religion "won". Religion even seemed to be a joke to everyone involved at the end, which was something you just had to do whether you wanted to or not. It was weird. Overall the story was well written but the majority of the story was just dull. It was an alright book, but not one I would go out of my way to point out to someone to read.
Babbitt is a rather interesting book. It takes place during the prohibition era of the early 1920's in middle America. It is set in the town of Zenith in a state that does not exist, but the main character, George F. Babbitt, frequently travels outside of Zenith to actual places like Chicago and Maine.The story is about an upper middle-class conservative businessman, who seemed unhappy with his life. Around the midpoint of the story, there is a breaking point that sends Babbitt off the deep end into a midlife crisis. During his midlife crisis, Babbitt eventually finds "liberalism" and "fun" (i.e. drinking and carousing) and it seems like he supports those wanting to make a difference in society (the worker unions) but eventually he is brought back into the conservative/religious/anti-union fold. Although the story seemed to be rather plodding at times, it had an interesting subtext. I got the feeling that the author, Lewis, was promoting liberal thoughts and anti-religion, however in the book, conservatism and religion "won". Religion even seemed to be a joke to everyone involved at the end, which was something you just had to do whether you wanted to or not. It was weird. Overall the story was well written but the majority of the story was just dull. It was an alright book, but not one I would go out of my way to point out to someone to read.
Sunday, November 13, 2016
The 306 Greatest Books #140 - Paradise Lost
The next up on my reading of the 306 greatest books is Paradise Lost by John Milton. This book can be found on the Sybervision Book List.
I had personally dreaded reading Paradise Lost, simply because most of the epic poetry on the list becomes dull and wearisome rather quickly, and pretty hard to understand through most of it. I was pleasantly surprised by Paradise Lost, at least in the beginning. The story is broken up into 12 Books, with each book lasting about 30 pages or so. My version of the book had illustrations by Gustave Doré, which gave the narrative a bit of a break and helped with the understanding quite a bit. However, the most import part aspect of the reading, was the fact that Milton provided a summary of at the beginning of each Book. That way the reader could more enjoy the prose instead of getting mired down in the text trying to figure out where the story is going (or even what was happening or where you were in the narrative). The story of Paradise Lost is not simply the telling of how Adam and Eve got kicked out of Eden. Instead it recounts everything that happened from the fall of Satan, to giving a "vision" of the future, through the birth of Jesus. My favorite part of the book had to be the first half, where Satan is seen as a rather tragic character. Milton perfectly weaves in Greek and Roman mythology, making this story feel much more mythical than it is often depicted. However, the story takes a steep decline once we get to the point where God is chastising Adam and Eve. Eventually taking us to where Adam is shown a vision of the future (essentially the rest of the Bible) and he becomes much more content with being cast out into the world. I understand that this is based on the Bible, making the story source hard to debate, but the degree of punishment seems awfully petty. It's all based on Adam and Even breaking the rules and being told "...that to obey is best..." and women are essentially too weak to be trusted to do much. It gets to be a bit much by the end. Overall, the prose was fun to read and the first half of the story was great (as a mythology lover myself), but by the end, I was done, and getting more and more annoyed as it dragged on.
I had personally dreaded reading Paradise Lost, simply because most of the epic poetry on the list becomes dull and wearisome rather quickly, and pretty hard to understand through most of it. I was pleasantly surprised by Paradise Lost, at least in the beginning. The story is broken up into 12 Books, with each book lasting about 30 pages or so. My version of the book had illustrations by Gustave Doré, which gave the narrative a bit of a break and helped with the understanding quite a bit. However, the most import part aspect of the reading, was the fact that Milton provided a summary of at the beginning of each Book. That way the reader could more enjoy the prose instead of getting mired down in the text trying to figure out where the story is going (or even what was happening or where you were in the narrative). The story of Paradise Lost is not simply the telling of how Adam and Eve got kicked out of Eden. Instead it recounts everything that happened from the fall of Satan, to giving a "vision" of the future, through the birth of Jesus. My favorite part of the book had to be the first half, where Satan is seen as a rather tragic character. Milton perfectly weaves in Greek and Roman mythology, making this story feel much more mythical than it is often depicted. However, the story takes a steep decline once we get to the point where God is chastising Adam and Eve. Eventually taking us to where Adam is shown a vision of the future (essentially the rest of the Bible) and he becomes much more content with being cast out into the world. I understand that this is based on the Bible, making the story source hard to debate, but the degree of punishment seems awfully petty. It's all based on Adam and Even breaking the rules and being told "...that to obey is best..." and women are essentially too weak to be trusted to do much. It gets to be a bit much by the end. Overall, the prose was fun to read and the first half of the story was great (as a mythology lover myself), but by the end, I was done, and getting more and more annoyed as it dragged on.
Friday, October 14, 2016
The 306 Greatest Books #139 - Vanity Fair
The next up on my reading of the 306 greatest books is Vanity Fair by William Thackeray. This book can be found on the Sybervision, Observer, and My Book Lists.
Vanity Fair had sat on my shelf for many years because I was not in the mood for more of the 18th century "romance novels". The kind of novels that were exemplified by the Bronte sisters and Jane Austen's works. They are all right to read once, but too much of that stuff wears me down. I feel there is no real "meat" in those books, just all fluff. Vanity Fair, though, is not one of those 18th century romances. In fact, it is the quintessential opposite in which Thackeray purposely makes fun of those novels. Thackeray's main characters are often vain, selfish, petulant, and immoral. Everything you wouldn't expect from an 18th romance novel. This actually made it a pleasant reading experience. I even laughed out loud at several instances throughout the book. The book is set up as written by someone who is acquainted with the main characters and is narrating their story as a storyteller would. This goes so far as to even have the narrator frequently making reference to the fact that you are reading a book that he is retelling. In terms of story, the main character, Becky Sharp, is not a hero. She is not even likable through much of the story. The only time that she may actually be likable is when you aren't sure if she is being sincere, which I am not convinced ever happens. Although she is the main character, the plot of the story works its way through two main families (the Crawleys and the Osbornes), taking it's leave of Becky when other story lines would take precedent. The plot and time moves steadily on throughout the story with characters coming and going as needed. My main problem with the book, though is that even though the writing is very well done, the story itself is rather dull at times. At over 700 pages long, it takes a long time to work through the narrative. The story could have been trimmed up pretty easily making the pace move a bit faster. I would often get bored of reading the book and need to put it down for a few days because there was nothing drawing me to read more. However, as I moved on towards the end I felt the urge to keep reading build up. Overall, I would say that the story was enjoyable, and funny at times, if not a little bit long winded, but I recommend it nonetheless.
Vanity Fair had sat on my shelf for many years because I was not in the mood for more of the 18th century "romance novels". The kind of novels that were exemplified by the Bronte sisters and Jane Austen's works. They are all right to read once, but too much of that stuff wears me down. I feel there is no real "meat" in those books, just all fluff. Vanity Fair, though, is not one of those 18th century romances. In fact, it is the quintessential opposite in which Thackeray purposely makes fun of those novels. Thackeray's main characters are often vain, selfish, petulant, and immoral. Everything you wouldn't expect from an 18th romance novel. This actually made it a pleasant reading experience. I even laughed out loud at several instances throughout the book. The book is set up as written by someone who is acquainted with the main characters and is narrating their story as a storyteller would. This goes so far as to even have the narrator frequently making reference to the fact that you are reading a book that he is retelling. In terms of story, the main character, Becky Sharp, is not a hero. She is not even likable through much of the story. The only time that she may actually be likable is when you aren't sure if she is being sincere, which I am not convinced ever happens. Although she is the main character, the plot of the story works its way through two main families (the Crawleys and the Osbornes), taking it's leave of Becky when other story lines would take precedent. The plot and time moves steadily on throughout the story with characters coming and going as needed. My main problem with the book, though is that even though the writing is very well done, the story itself is rather dull at times. At over 700 pages long, it takes a long time to work through the narrative. The story could have been trimmed up pretty easily making the pace move a bit faster. I would often get bored of reading the book and need to put it down for a few days because there was nothing drawing me to read more. However, as I moved on towards the end I felt the urge to keep reading build up. Overall, I would say that the story was enjoyable, and funny at times, if not a little bit long winded, but I recommend it nonetheless.
Monday, August 29, 2016
The 306 Greatest Books #138 - The Three Musketeers
The next up on my reading of the 306 greatest books is The Three Musketeers by Alexandre Dumas. This book can be found on the Sybervision and My Book Lists.
After having read several books on the list that were either partially or entirely a drag to read, it was a tremendous surprise to find out how much I really liked this book. The Three Musketeers is actually very easy to read and I swear, it feels as if it could have been written today. However, this is not one of those books that has a higher intellectual purpose. This is an action/adventure flick in book form. It goes from one action "scene" to the next all the way to the end. The story follows a man named D'Artanian, who, at the being of the story, was not a musketeer. Shortly he befriends three men who go by the names Athos, Porthos, and Aramis, which are the entitled Three Musketeers. The funny thing about this story though is that it really isn't about the three musketeers at all. They are supporting characters at best, and in the case of Porthos, he is even called out in the story as almost superfluous. Even with this, it doesn't detract from the story at all, and there are several instances where different character's fates were not what I was expecting at all (and if this was written today would have been completely different in my opinion). There were a couple of things that didn't work for me. The main one was the long winded section where Milady is describing her past and how she got to where she was at that point in the book. The problem is, all of that story was a lie, and the reader knew it was a lie while she was giving the story. So, it felt like a complete waste of the reader's time, which is already being taken up for a while with this around 600 page book. But besides that, I ripped through this book faster than I have read a book in a long time. This is a definite must read in my opinion.
After having read several books on the list that were either partially or entirely a drag to read, it was a tremendous surprise to find out how much I really liked this book. The Three Musketeers is actually very easy to read and I swear, it feels as if it could have been written today. However, this is not one of those books that has a higher intellectual purpose. This is an action/adventure flick in book form. It goes from one action "scene" to the next all the way to the end. The story follows a man named D'Artanian, who, at the being of the story, was not a musketeer. Shortly he befriends three men who go by the names Athos, Porthos, and Aramis, which are the entitled Three Musketeers. The funny thing about this story though is that it really isn't about the three musketeers at all. They are supporting characters at best, and in the case of Porthos, he is even called out in the story as almost superfluous. Even with this, it doesn't detract from the story at all, and there are several instances where different character's fates were not what I was expecting at all (and if this was written today would have been completely different in my opinion). There were a couple of things that didn't work for me. The main one was the long winded section where Milady is describing her past and how she got to where she was at that point in the book. The problem is, all of that story was a lie, and the reader knew it was a lie while she was giving the story. So, it felt like a complete waste of the reader's time, which is already being taken up for a while with this around 600 page book. But besides that, I ripped through this book faster than I have read a book in a long time. This is a definite must read in my opinion.
Tuesday, June 7, 2016
The 306 Greatest Books #137 - The World as Will and Presentation
The next up on my reading of the 306 greatest books is The World as Will and Presentation (AKA The World as Will and Idea or The World as Will and Representation) by Arthur Schopenhauer. This book can be found on the Sybervision Book List.
At long last I have finished the more than 1300 page drudge that is The World as Will and Presentation. This is the last philosophical books that are on the list and I am the more happy because of it. Schopenhauer states in the intro that to truly understand the work, you should read it twice. I am not going to do that because honestly, it didn't interest me nearly that much. The premise of the book is that everything in life can be broken down into two categories, the Will and the Presentation (or the Idea, or Representation, all based on translation). The Will is the desire that resides in all of us. It is the will to live, the will to eat, the will to want what we (and everything) wants. The Will is everything inside us. The Presentation is how everything appears to us from the outside. It is how the world looks through our eyes. It is everything outside of us. Like most philosophical works, Schopenhauer proceeds from the small and works to the larger, to the point where he is trying to explain everything from religion to science within the concepts he has stated. The problem with the work, and one that he seems to fail to notice, is that the book is way over bloated. He states almost identical phrases on numerous occasions and has a tendency to use 100 words to state something, when 10 would have done the job just fine. This book could easily be condensed down to a quarter it's actual size and have had all the depth and meaning that the original had. He needed an editor. That's not saying that the book isn't any good, it is, but only in parts. I occasionally found sections that I was deeply enraptured in but, but they were few and far between. It was like eating a bowl of cheap Raisin Bran, there were occasionally instances of delicious raisins, but mostly it was just bran. Also, one thing needs to be understood about this book. It is a product of it's times. Just like The Origin of Species, the science in The World as Will and Presentation is outdated and often insulting to the reader, where he makes general assumptions and runs with them (like everyone gets their intelligence only from their mother and that women are obviously the weaker sex that needs a man for everything). Reading this as a historical philosophy work and not a scientifically modern text is essential for getting the most out of the text.
At long last I have finished the more than 1300 page drudge that is The World as Will and Presentation. This is the last philosophical books that are on the list and I am the more happy because of it. Schopenhauer states in the intro that to truly understand the work, you should read it twice. I am not going to do that because honestly, it didn't interest me nearly that much. The premise of the book is that everything in life can be broken down into two categories, the Will and the Presentation (or the Idea, or Representation, all based on translation). The Will is the desire that resides in all of us. It is the will to live, the will to eat, the will to want what we (and everything) wants. The Will is everything inside us. The Presentation is how everything appears to us from the outside. It is how the world looks through our eyes. It is everything outside of us. Like most philosophical works, Schopenhauer proceeds from the small and works to the larger, to the point where he is trying to explain everything from religion to science within the concepts he has stated. The problem with the work, and one that he seems to fail to notice, is that the book is way over bloated. He states almost identical phrases on numerous occasions and has a tendency to use 100 words to state something, when 10 would have done the job just fine. This book could easily be condensed down to a quarter it's actual size and have had all the depth and meaning that the original had. He needed an editor. That's not saying that the book isn't any good, it is, but only in parts. I occasionally found sections that I was deeply enraptured in but, but they were few and far between. It was like eating a bowl of cheap Raisin Bran, there were occasionally instances of delicious raisins, but mostly it was just bran. Also, one thing needs to be understood about this book. It is a product of it's times. Just like The Origin of Species, the science in The World as Will and Presentation is outdated and often insulting to the reader, where he makes general assumptions and runs with them (like everyone gets their intelligence only from their mother and that women are obviously the weaker sex that needs a man for everything). Reading this as a historical philosophy work and not a scientifically modern text is essential for getting the most out of the text.
In order to get the "full experience" from this book, it seemed that there needed to be some prerequisite reading. His entire philosophy is based on the works of Immanuel Kant. Luckily I had happened to read The Critique of Pure Reason before reading this book, but if I hadn't, I likely would have been mildly lost. He also mentions Descartes (Meditations) a lot, which again is useful to read beforehand. The one thing though that he insufferably keeps mentioning is his other "prize essays". It's rather sickening the amount that he mentions them, however the one true drawback was that he wrote this book with the assumption that the reader is fully acquainted with his essay "The Principle of Sufficient Ground", which obviously I had not read but apparently should have. The organization of the book is divided up into the main text, an appendix, and supplements to the text, totaling over 1300 pages. The main text only makes up about 475 pages of the document with the appendix finishing out the 600 page Volume 1. Volume 2 (all 700+ pages of it) is entirely made up of the supplements to the text. I wish I had known that the supplements are directly related to the chapters in the main text and broken up as such, otherwise I would not have read through the text cover to cover. If I had to do it over again, I would read the supplements in relation to the chapters as I was going through each chapter. Reading the book cover to cover, it felt as if I had read the main text twice. Once the first time, then again as an over bloated version in the supplemental chapters.
In general, the translation of the text can make or break this work. I am using the most up to date translation (Richard E Aquila's) and I believe it had made the difference. Often German to English translations feel rather clunky, however this one was remarkably easy to understand and process the information. A worse translation could have made this from a drudge to downright incomprehensible. Also, even though the author is extremely arrogant, he is also rather amusing by frequently insulting and mocking his contemporaries. It adds a bit of levity where this could be considered a very dry text. All in all, I would only recommend this text if you can get (1) A good translation and (2) a good abridgment of the text and (3) if you are into philosophical texts. The full version is not worth the effort of wading though, however the bits of wisdom sprinkled throughout the text did pique my interest sufficiently that I will go back to those specific section when I have more time.
Saturday, November 7, 2015
The 306 Greatest Books #132 - To Kill a Mockingbird
The next up on my reading of the 306 greatest books is To Kill a Mockingbird by Harper Lee. This book can be found on the Sybervision, Observer, BBC, and My Book Lists.
Typically, when I am reading one of the books on this list, I am usually thinking of what I am going to say as a review, at least during the last quarter of the book. However, for To Kill a Mockingbird, I had to wait a couple of days until after I finished the book. I had burned through it so quickly, and I'm still having a hard time putting together my thoughts. The book follows the life of a young girl, Scout Finch, living during the depression in a small town in Alabama. As is true with most children, she is inquisitive and playful and the book follows her through her games and exploration of the world around her. She has a mysterious neighbor, who the children are bent on tormenting, even though they have never seen him. An interesting story point that does come to fruition by the end of the story. The main point of the book however is regarded as background material throughout the first portion of the book. This story element, like many in the book, slowly reveals itself through the natural course of storytelling. Scout's father, Atticus, is a lawyer and is charged with defending an African American man accused of raping another man's daughter. How the story manifests itself through the eyes of Scout is truly remarkable. Several times throughout the book I felt myself well up at the sheer impact of the story. I'm not sure if it is because I am father of a young girl and I can place myself in Atticus's shoes at times, or not. But this is truly an emotional novel about race relations during the Great Depression, and how far we had to go at the time. The writing couldn't have been easier to follow, and the descriptions were truly outstanding. Harper Lee's descriptions would often flow through the story, not being placed at any particular point, but would appear as natural eddies in the narrative.This resulted in me flying through the novel, reading half of it in one day. This novel has easily ascended to become one of my favorite books of all time, well within my Top 5 favorites.
Typically, when I am reading one of the books on this list, I am usually thinking of what I am going to say as a review, at least during the last quarter of the book. However, for To Kill a Mockingbird, I had to wait a couple of days until after I finished the book. I had burned through it so quickly, and I'm still having a hard time putting together my thoughts. The book follows the life of a young girl, Scout Finch, living during the depression in a small town in Alabama. As is true with most children, she is inquisitive and playful and the book follows her through her games and exploration of the world around her. She has a mysterious neighbor, who the children are bent on tormenting, even though they have never seen him. An interesting story point that does come to fruition by the end of the story. The main point of the book however is regarded as background material throughout the first portion of the book. This story element, like many in the book, slowly reveals itself through the natural course of storytelling. Scout's father, Atticus, is a lawyer and is charged with defending an African American man accused of raping another man's daughter. How the story manifests itself through the eyes of Scout is truly remarkable. Several times throughout the book I felt myself well up at the sheer impact of the story. I'm not sure if it is because I am father of a young girl and I can place myself in Atticus's shoes at times, or not. But this is truly an emotional novel about race relations during the Great Depression, and how far we had to go at the time. The writing couldn't have been easier to follow, and the descriptions were truly outstanding. Harper Lee's descriptions would often flow through the story, not being placed at any particular point, but would appear as natural eddies in the narrative.This resulted in me flying through the novel, reading half of it in one day. This novel has easily ascended to become one of my favorite books of all time, well within my Top 5 favorites.
Saturday, September 19, 2015
The 306 Greatest Books #131 - Moll Flanders
The next up on my reading of the 306 greatest books is Moll Flanders by Daniel Defoe. This book can be found on the Sybervision Book List.

I was hesitant to start reading Moll Flanders because Defoe's other work on the list, Robinson Crusoe, didn't really strike my fancy. I found Robinson Crusoe to be overly dragging and not that upbeat. Well, now we come to Moll Flanders and I have several of the same criticisms. Although the book is only 340ish pages long, it seemed to drag on forever. I could be reading twenty minutes and it felt like an hour. Defoe is often very repetitive, not only with small portions of text, saying almost the same bunch of sentences verbatim a few paragraphs later, but the plot itself was on a never-ending cycle of repeat. The story follows a woman who was raised as a cast off from a prisoner. The first third of the novel deals with her repeated marriages, which needless to say, got old really quickly. The second third of the novel actually got me back into the book. Although, this was also a bunch of the same, over and over again, I actually became interested in the character for once in the story. The character herself claims in the book this was because of people enjoy reading about her wickedness. I'm not sure if that was the case or if the author actually made the character interesting for once. The problems resurface again in the last portion, where the character is "redeemed". Even though she is redeemed, I never, ever, get the impression she is ever sorry for what she did and even remotely changed her ways. She was lying and manipulating people right up through the last page of the text. Overall, I am often harsh on books where it is difficult to get into a book because of the writing style. Defoe's writing style is fine, it's just his plots are overly redundant and slow paced. I can't recommend this story to anyone, sorry.
I was hesitant to start reading Moll Flanders because Defoe's other work on the list, Robinson Crusoe, didn't really strike my fancy. I found Robinson Crusoe to be overly dragging and not that upbeat. Well, now we come to Moll Flanders and I have several of the same criticisms. Although the book is only 340ish pages long, it seemed to drag on forever. I could be reading twenty minutes and it felt like an hour. Defoe is often very repetitive, not only with small portions of text, saying almost the same bunch of sentences verbatim a few paragraphs later, but the plot itself was on a never-ending cycle of repeat. The story follows a woman who was raised as a cast off from a prisoner. The first third of the novel deals with her repeated marriages, which needless to say, got old really quickly. The second third of the novel actually got me back into the book. Although, this was also a bunch of the same, over and over again, I actually became interested in the character for once in the story. The character herself claims in the book this was because of people enjoy reading about her wickedness. I'm not sure if that was the case or if the author actually made the character interesting for once. The problems resurface again in the last portion, where the character is "redeemed". Even though she is redeemed, I never, ever, get the impression she is ever sorry for what she did and even remotely changed her ways. She was lying and manipulating people right up through the last page of the text. Overall, I am often harsh on books where it is difficult to get into a book because of the writing style. Defoe's writing style is fine, it's just his plots are overly redundant and slow paced. I can't recommend this story to anyone, sorry.
Saturday, August 29, 2015
The 306 Greatest Books #130 - The Grapes of Wrath
The next up on my reading of the 306 greatest books is The Grapes of Wrath by John Steinbeck. This book can be found on the Sybervision, BBC, and My Book Lists.
Often, when I start out reading a book, I set goals for myself, such as 10 pages a day, or a chapter a day. The purpose for this is to keep me on pace and finish in a reasonable amount of time. I had done that with The Grapes of Wrath as well, setting my pace at 20 pages per day. One of the first things I noticed about the book, though was how easy it was to read. Twenty pages would fly by and I would keep on going, partially due to the ease of reading the story but also because I had become enraptured with the characters and the story. My page goal almost became a moot point, with the story drawing me along. The story is about a family from Oklahoma during the 1930's dust bowl, who believe they will find better fortune in California after being run off their land due to unpayable debts. And that is it. The family moves around during the Great Depression trying to find work and dealing with the situations that are happening all around them. This story became a cultural and political wake up call to the US government about how bad conditions had become in the country. I don't believe Steinbeck set out to write a social commentary, mostly because the worst of the things that happened to many of the migrants happened only to the auxiliary characters, or were isolated to portions of the text not following the main plot. In many instances the main characters thrived in situations where a normal person would have been dealt a bad blow. They managed to get into camps that just happened to have an opening, or find ideal jobs when others are getting half the pay they get. I felt that Steinbeck played it safe with his primary characters in instances where today an author might not. It was the ending that really got to me though. Reading through this whole novel, I started to wonder where it was going. I felt that the characters could go on in this fashion for a long time, but clearly the novel is drawing to a close. It is when I hit the final two pages that I realized where Steinbeck was going. The ending provides the quintessential essence that the new generation must support the old, because they have become unable to do it themselves. The layout of the story was interesting, with every other chapter focusing on the main characters and the other chapters giving a parallel story not focused on the main characters, but written as a commentary on the social problems of the time. Overall, I felt the writing was fantastic, which produced a smooth read through of a fantastically well-written story. A high recommend.
Often, when I start out reading a book, I set goals for myself, such as 10 pages a day, or a chapter a day. The purpose for this is to keep me on pace and finish in a reasonable amount of time. I had done that with The Grapes of Wrath as well, setting my pace at 20 pages per day. One of the first things I noticed about the book, though was how easy it was to read. Twenty pages would fly by and I would keep on going, partially due to the ease of reading the story but also because I had become enraptured with the characters and the story. My page goal almost became a moot point, with the story drawing me along. The story is about a family from Oklahoma during the 1930's dust bowl, who believe they will find better fortune in California after being run off their land due to unpayable debts. And that is it. The family moves around during the Great Depression trying to find work and dealing with the situations that are happening all around them. This story became a cultural and political wake up call to the US government about how bad conditions had become in the country. I don't believe Steinbeck set out to write a social commentary, mostly because the worst of the things that happened to many of the migrants happened only to the auxiliary characters, or were isolated to portions of the text not following the main plot. In many instances the main characters thrived in situations where a normal person would have been dealt a bad blow. They managed to get into camps that just happened to have an opening, or find ideal jobs when others are getting half the pay they get. I felt that Steinbeck played it safe with his primary characters in instances where today an author might not. It was the ending that really got to me though. Reading through this whole novel, I started to wonder where it was going. I felt that the characters could go on in this fashion for a long time, but clearly the novel is drawing to a close. It is when I hit the final two pages that I realized where Steinbeck was going. The ending provides the quintessential essence that the new generation must support the old, because they have become unable to do it themselves. The layout of the story was interesting, with every other chapter focusing on the main characters and the other chapters giving a parallel story not focused on the main characters, but written as a commentary on the social problems of the time. Overall, I felt the writing was fantastic, which produced a smooth read through of a fantastically well-written story. A high recommend.
Thursday, July 2, 2015
The 306 Greatest Books #129 - Don Quixote
The next up on my reading of the 306 greatest books is Don Quixote by Miguel de Cervantes. This book can be found on the Sybervision, Norwegian, Observer, and My Book Lists.

Whenever I hear anyone reference Don Quixote, it is frequently in regards to his fighting windmills, or riding around on an old horse with a fat squire on a donkey. Well, that is pretty much the first 20-50 pages of a 1,000 page long story. Preconceptions of the story do not really encompass the true breadth and depth of it. The story is about a man who feels he has been tasked with restoring knight errantry back to Spain and dupes a simple minded farmer to accompany him (Sancho Panza). When I first started to read the story, I felt like this was the story for me. It was serialized television long before television even existed. There were even phrases like "when we last left our heroes...". It seemed perfect for me. The translation I was reading was awesome as well (the Everyman edition). It was translated into a very readable sort of Old English, with all of the poetry and songs maintaining their rhymes. I assume the context and feel of the story was maintained even though the wording needed to be changed. And my version extended the feel of the novel to the translation itself. The novel is written as if it is a Spanish translation of an older text (Arabic I believe), where my English translator even had notes added on top of his translation by an editor. It definitely gives it a story handed down through time aura about it.
Whenever I hear anyone reference Don Quixote, it is frequently in regards to his fighting windmills, or riding around on an old horse with a fat squire on a donkey. Well, that is pretty much the first 20-50 pages of a 1,000 page long story. Preconceptions of the story do not really encompass the true breadth and depth of it. The story is about a man who feels he has been tasked with restoring knight errantry back to Spain and dupes a simple minded farmer to accompany him (Sancho Panza). When I first started to read the story, I felt like this was the story for me. It was serialized television long before television even existed. There were even phrases like "when we last left our heroes...". It seemed perfect for me. The translation I was reading was awesome as well (the Everyman edition). It was translated into a very readable sort of Old English, with all of the poetry and songs maintaining their rhymes. I assume the context and feel of the story was maintained even though the wording needed to be changed. And my version extended the feel of the novel to the translation itself. The novel is written as if it is a Spanish translation of an older text (Arabic I believe), where my English translator even had notes added on top of his translation by an editor. It definitely gives it a story handed down through time aura about it.
The problems I have with the story started pretty early though. I felt the story started to drag on really early in the first part. Adventures seemed to take forever; there were many side stories that added little (if anything) to the overall narrative, and I just felt the pace of the story slowing down dramatically. I felt I needed to trudge through most of the middle part of the novel until hitting the second part. When I really started to enjoy the story was during the last third of the novel, when the story became self referential. The first half of the novel was apparently published earlier and characters within the second half of the story had often either read it or had heard of it. There is even parts where a real life sequel to the first book was published by a different author and the characters in the book go out of their way to prove that book to be a false sequel. It's actually pretty meta. As for the ending: it felt very, very rushed. The ending could have been placed at any point in the book and still have fit, as there was no real build up to it during the narrative. It would have been better if certain story points (mainly Dulcinea del Toboso) were even addressed during the ending instead of just dropped as if she never even mattered. Overall, I would say the story was actually quite a bit of fun when it started to pick up during the later half but an abridged version of the story may be the way to go for many people (although I personally refuse to go abridged).
Tuesday, December 30, 2014
The 306 Greatest Books #128 - Critique of Pure Reason
The next up on my reading of the 306 greatest books is Critique of Pure Reason by Immanuel Kant. This book can be found on the Sybervision Book List.
The Critique of Pure Reason is one of eight books under the "Philosophy" section in the Sybervision Book List. Traditionally, these, along with the Science books, have not fared too well in my opinion since I read these stories mainly for entertainment and judge them under that criterion. The most notable exception being Walden, which I greatly enjoyed. Well, the Critique of Pure Reason also has many of the same flaws as the other Philosophy or Science books. The text is often hard to decipher and the author frequently uses vocabulary words that the reader is more than likely never to encounter again. I stopped reading the chapter and section titles because they were more often than not undecipherable. I read the unabridged version of the text, and I can now understand why they have abridged versions. More than once I found myself thinking that the author takes 10-20 pages to say something that he sums up in one line, and likely could have been left at just that one line. This book would improve greatly with a good abridgment. As I trudged my way through the first half of the book, I thought that the book was essentially nonredeemable, with the author bloviating on about "simple" concepts that should have been wrapped up hundreds of pages earlier. Kant breaks down every possible concept imaginable using strictly a priori (independent of experience) reason. Starting with the second half though, he starts to explore the foundations of God and whether he exists or not using the a priori reasoning. In the end he concludes that no, you can neither prove or disprove the existence of God. I would equate this to one of the most fundamental Agnostic reading materials created and it actually got rather interesting to read (for the majority of the second half). In summary, although the text could use for quite a bit of shortening, I was pleasantly surprised about the topics that were addressed. Even though I would not recommend others to read this, I am glad I did.
The Critique of Pure Reason is one of eight books under the "Philosophy" section in the Sybervision Book List. Traditionally, these, along with the Science books, have not fared too well in my opinion since I read these stories mainly for entertainment and judge them under that criterion. The most notable exception being Walden, which I greatly enjoyed. Well, the Critique of Pure Reason also has many of the same flaws as the other Philosophy or Science books. The text is often hard to decipher and the author frequently uses vocabulary words that the reader is more than likely never to encounter again. I stopped reading the chapter and section titles because they were more often than not undecipherable. I read the unabridged version of the text, and I can now understand why they have abridged versions. More than once I found myself thinking that the author takes 10-20 pages to say something that he sums up in one line, and likely could have been left at just that one line. This book would improve greatly with a good abridgment. As I trudged my way through the first half of the book, I thought that the book was essentially nonredeemable, with the author bloviating on about "simple" concepts that should have been wrapped up hundreds of pages earlier. Kant breaks down every possible concept imaginable using strictly a priori (independent of experience) reason. Starting with the second half though, he starts to explore the foundations of God and whether he exists or not using the a priori reasoning. In the end he concludes that no, you can neither prove or disprove the existence of God. I would equate this to one of the most fundamental Agnostic reading materials created and it actually got rather interesting to read (for the majority of the second half). In summary, although the text could use for quite a bit of shortening, I was pleasantly surprised about the topics that were addressed. Even though I would not recommend others to read this, I am glad I did.
Friday, November 14, 2014
The 306 Greatest Books #127 - The Lady of the Lake
The next up on my reading of the 306 greatest books is The Lady of the Lake by Sir Walter Scott. This book can be found on the Sybervision Book List.
The Lady of the Lake is a story written as a rhyming poem where, for the most part, each line is eight syllables and every two lines rhyme throughout the entire poem. This structure is often interrupted though, when other aspects of the story take place, such as someone singing a song where the structure would change to every other line rhyming, or some other poetical construct. Structurally speaking this poem is a marvel to read. The poem is laid out fantastically and it is easy to get lost in the words on the page. Unfortunately, this is also a detriment to the story because I found it extremely difficult to follow due to getting lost in the words. Unlike Rhyme of the Ancient Mariner, which I felt created a flowing poem and an easy to follow narrative, this story is very difficult to piece out of the poem. I had to read summaries of the chapters before and after reading them in order to fully understand what I had read. Also, many times the flow of the story would be interrupted by lines that were meant to rhyme but didn't. For instance "stood" and "blood" would be used as a rhyming pair and although they look like they should rhyme it really creates an incongruity within the flow. I wonder if perhaps some of these instances indicate that these words were pronounced differently back when this story was written. This also goes for words with extra syllables that didn't fit the pattern of the poem. It makes me stop and have to reread a line 3 or 4 times, breaking the flow of the reading. The story itself is difficult to piece out of this work and I wonder if that is even the reason it is on this list. I assume it is on the list because it is structurally a literary masterpiece but as a story I can not recommend it.
The Lady of the Lake is a story written as a rhyming poem where, for the most part, each line is eight syllables and every two lines rhyme throughout the entire poem. This structure is often interrupted though, when other aspects of the story take place, such as someone singing a song where the structure would change to every other line rhyming, or some other poetical construct. Structurally speaking this poem is a marvel to read. The poem is laid out fantastically and it is easy to get lost in the words on the page. Unfortunately, this is also a detriment to the story because I found it extremely difficult to follow due to getting lost in the words. Unlike Rhyme of the Ancient Mariner, which I felt created a flowing poem and an easy to follow narrative, this story is very difficult to piece out of the poem. I had to read summaries of the chapters before and after reading them in order to fully understand what I had read. Also, many times the flow of the story would be interrupted by lines that were meant to rhyme but didn't. For instance "stood" and "blood" would be used as a rhyming pair and although they look like they should rhyme it really creates an incongruity within the flow. I wonder if perhaps some of these instances indicate that these words were pronounced differently back when this story was written. This also goes for words with extra syllables that didn't fit the pattern of the poem. It makes me stop and have to reread a line 3 or 4 times, breaking the flow of the reading. The story itself is difficult to piece out of this work and I wonder if that is even the reason it is on this list. I assume it is on the list because it is structurally a literary masterpiece but as a story I can not recommend it.
Wednesday, October 29, 2014
The 306 Greatest Books #126 - Tess of the D'Urbervilles
The next up on my reading of the 306 greatest books is Tess of the D'Urbervilles by Thomas Hardy. This book can be found on the Sybervision, BBC, and My Book Lists
I am very conflicted with this book. First off, it is very well written and easy to read. This is a definite plus in my book. But rereading the summaries of the other Hardy books I had read so far (Far from the Madding Crowd and Return of the Native) I seemed to have similar feelings about them. All of the stories are well written but it is the story itself that I have problems with. First off, this is the best of the three Hardy books so far. But the problem is that Hardy likes to beat down the women in the book until the main character is almost not a character at all, just a plot device to drive the story forward. The story starts off with a peasant family by the name of Durbeyfield finding out they are actually descendants of the "great" house of D'Urberville. This gets them really nothing; however it propels the family forward into trying to get something from it and this is where the trouble starts. Tess is sent to another D'Urberville family thinking they are related, but in actuality they just took the name for prestige and she ends up getting pregnant out of wedlock. Her life is essentially ruined because of this but throughout the book there is a very interesting dynamic as many of the main characters are forced to face the harsh realities of Christian dogma and stigmas of the times. I found the way that the characters reacted to be rather truthful and interesting. Another problem I had was the pacing of the story, where the story would be traveling along and then suddenly something would happen. It was often jarring throughout the story where the big events often felt rather forced. But part of these jarring instances was that the author would repeatedly bring back characters and ideas hinted at earlier in the book to play more pivotal parts later on. I did rather like that approach though. Overall, I would say that the story isn't "great" but it is a pretty good read and made me think a lot, which is not always a bad thing.
I am very conflicted with this book. First off, it is very well written and easy to read. This is a definite plus in my book. But rereading the summaries of the other Hardy books I had read so far (Far from the Madding Crowd and Return of the Native) I seemed to have similar feelings about them. All of the stories are well written but it is the story itself that I have problems with. First off, this is the best of the three Hardy books so far. But the problem is that Hardy likes to beat down the women in the book until the main character is almost not a character at all, just a plot device to drive the story forward. The story starts off with a peasant family by the name of Durbeyfield finding out they are actually descendants of the "great" house of D'Urberville. This gets them really nothing; however it propels the family forward into trying to get something from it and this is where the trouble starts. Tess is sent to another D'Urberville family thinking they are related, but in actuality they just took the name for prestige and she ends up getting pregnant out of wedlock. Her life is essentially ruined because of this but throughout the book there is a very interesting dynamic as many of the main characters are forced to face the harsh realities of Christian dogma and stigmas of the times. I found the way that the characters reacted to be rather truthful and interesting. Another problem I had was the pacing of the story, where the story would be traveling along and then suddenly something would happen. It was often jarring throughout the story where the big events often felt rather forced. But part of these jarring instances was that the author would repeatedly bring back characters and ideas hinted at earlier in the book to play more pivotal parts later on. I did rather like that approach though. Overall, I would say that the story isn't "great" but it is a pretty good read and made me think a lot, which is not always a bad thing.
Sunday, September 28, 2014
The 306 Greatest Books #125 - Faust
The next up on my reading of the 306 greatest books is Faust (A.K.A. The Tragedy of Faust) by Johann Wolfgang Von Goethe. This book can be found on the Sybervision and Norwegian Book Lists.
Upon reading the first few sentences of Part 1, I was thinking, "Yea, I can really get into this". Part 1 was written in a poem like style very similar to The Rime of the Ancient Mariner, which I also loved. So I could see some promise in this. Then the story shifted and it mimicked Book of Job, which I didn't like, but I felt the concept was good and could see where they could improve upon it. Later on, the story morphed again, this time feeling very much like Dante's Inferno. Another story that I rather enjoyed. So in general, I had some promise for this story. Throughout Part 1, I was riveted and excited to see where the story went. When I reached the end of Part 1, the way several things were revealed was amazing. Initially I had thought we were supposed to guess at what happened but then the author revealed what happened afterwords, letting the information flow out in an unexpected way. Very enjoyable and satisfactory. IF the story had ended after part 1, this would be a 100% recommend. However, it didn't. The story of Faust is written as a play, although there are so many characters at some points I can't imaging it actually being acted out. Faust is a scholar who makes a deal with the devil, another main character, in exchange for excitement (as I interpreted it). He uses the devil throughout the story in order to get his way and eventually ruins a girls life. And so ends Part 1. Part 2, was published after Goethe's death and feels in many ways, like someone else wrote it. Or at the very least, like a different story. The plot is all over the place, sometimes it has Faust, but often it doesn't. The text is difficult to understand at times, perhaps due to the translation, more likely due to the story. At least there are some weak threads which tie back to the first part, especially the image of a beautiful girl seen in Part 1, who reappears for a large portion within the middle of the story. However, the story is barely intelligible and doesn't contain the magic emphasized in Part 1. So in summary, Part 1 is a definite recommend, but I personally can find no reason for anyone to read Part 2. There is a wrap-up to the Part 1 story within Act V of Part 2, but really, it isn't all that fulfilling.
Upon reading the first few sentences of Part 1, I was thinking, "Yea, I can really get into this". Part 1 was written in a poem like style very similar to The Rime of the Ancient Mariner, which I also loved. So I could see some promise in this. Then the story shifted and it mimicked Book of Job, which I didn't like, but I felt the concept was good and could see where they could improve upon it. Later on, the story morphed again, this time feeling very much like Dante's Inferno. Another story that I rather enjoyed. So in general, I had some promise for this story. Throughout Part 1, I was riveted and excited to see where the story went. When I reached the end of Part 1, the way several things were revealed was amazing. Initially I had thought we were supposed to guess at what happened but then the author revealed what happened afterwords, letting the information flow out in an unexpected way. Very enjoyable and satisfactory. IF the story had ended after part 1, this would be a 100% recommend. However, it didn't. The story of Faust is written as a play, although there are so many characters at some points I can't imaging it actually being acted out. Faust is a scholar who makes a deal with the devil, another main character, in exchange for excitement (as I interpreted it). He uses the devil throughout the story in order to get his way and eventually ruins a girls life. And so ends Part 1. Part 2, was published after Goethe's death and feels in many ways, like someone else wrote it. Or at the very least, like a different story. The plot is all over the place, sometimes it has Faust, but often it doesn't. The text is difficult to understand at times, perhaps due to the translation, more likely due to the story. At least there are some weak threads which tie back to the first part, especially the image of a beautiful girl seen in Part 1, who reappears for a large portion within the middle of the story. However, the story is barely intelligible and doesn't contain the magic emphasized in Part 1. So in summary, Part 1 is a definite recommend, but I personally can find no reason for anyone to read Part 2. There is a wrap-up to the Part 1 story within Act V of Part 2, but really, it isn't all that fulfilling.
Monday, August 25, 2014
The 306 Greatest Books #123 - The Way of All Flesh
The next up on my reading of the 306 greatest books is The Way of All Flesh by Samuel Butler. This book can be found on the Sybervision Book List.
When I first started reading The Way of All Flesh, I wasn't sure what I was getting myself into. I read one chapter, then two days later I started reading the second chapter and realized that I had absolutely no clue what happened in the first chapter. So I reread it. After the second chapter, I had another two day break and the same thing happened again. It wasn't that the story was difficult to read or hard to understand, it was just utterly forgettable. After the first 50 pages though, the story got much better. I realized that the reason I kept forgetting what was happening was because each chapter jumped in time, but only a little. It wasn't noticeable until you realized that the previous chapter did not follow the next one directly. A little confusing, but like I said, it got better as the story became more linear. The story follows the life of a man, Ernest Pontifex, as he is raised, then becomes ordained, and eventually finds life outside of the church. However, the first 100 pages or so are focused on Ernest's ancestors as told by a family friend and godfather to Ernest. I was surprised at how anti-Christianity the story was. Ernest's parents were proper Christian folk, with his father being an ordained minister. However, they were lying, deceitful, cruel, and always blameless in their own eyes. In essence, horrible parents. Later in the story, as Ernest becomes ordained, he eventually falls out of the church by studying various aspects of the Bible and finding them unbelievable. By the end, he is writing books all about how wrong Christianity is. I had not expected that when I went into the book but actually found the anti-church motif rather interesting. The writer's portrayal of women though was a little less desirable. There were three women in the story, the horrible mother, the alcoholic wife, and the obnoxious sister. Not a good one among the bunch. Overall, the writing of the book is OK, not great. Some of the sentences are difficult to read and I had to reread several of them just because they were awkwardly phrased. But in the end I would say that the book was OK, not great but not horrible either. I just felt "meh" when I finished it. Not much of an endorsement, I know.
Monday, June 23, 2014
The 306 Greatest Books #122 - A Connecticut Yankee in King Arthur's Court
The next up on my reading of the 306 greatest books is A Connecticut Yankee in King Arthur's Court by Mark Twain. This book can be found on the Sybervision and and My Book Lists.
The previous Mark Twain book that I read, The Prince and the Pauper, was alright, but it left me wanting for the well known wit of Mark Twain. I got that wit in this book. A Connecticut Yankee in King Arthur's Court was everything that I had hoped The Prince and the Pauper would be and more. My only regret is that it took me so long to read because I had more important things going on. The story is written in the first person narrative of a man who is transported back in time to the 6th century from the 19th century. No time is spent discussing how he was transported back in time, which I assumed would eventually be resolved but it never was. Upon being transported back in time, he is almost immediately put to death. How he gets around this is pretending to be a sorcerer, even more powerful than Merlin (who is in this book and is completely incompetent). The Yankee proceeds to "improve" life back in the 6th century, trying to bring it up to "modern" 19th century standards. Twain makes almost everyone in the 6th century appear dimwitted, or even outright moronic, including King Arthur himself. This is not a trait I have seen attributed to these people of legend before and Twain was actually quite convincing in his representation of these characters. The biggest surprise was the ending, which I won't spoil, but I had assumed I knew exactly how the book was going to wind up, but as it turns out, I think I was wrong, but it was rather vague. Just like the time travel aspect at the beginning, the ending was never fully explained. One of the things that took me by surprise, though, was the strong anti-Catholic Church feeling that the story kept bringing back. He even went so far as to try and convert all of England to a Protestant nation back in the 6th century. Overall, a very thoughtful, funny, and insightful book that will happily go on my must read list.
The previous Mark Twain book that I read, The Prince and the Pauper, was alright, but it left me wanting for the well known wit of Mark Twain. I got that wit in this book. A Connecticut Yankee in King Arthur's Court was everything that I had hoped The Prince and the Pauper would be and more. My only regret is that it took me so long to read because I had more important things going on. The story is written in the first person narrative of a man who is transported back in time to the 6th century from the 19th century. No time is spent discussing how he was transported back in time, which I assumed would eventually be resolved but it never was. Upon being transported back in time, he is almost immediately put to death. How he gets around this is pretending to be a sorcerer, even more powerful than Merlin (who is in this book and is completely incompetent). The Yankee proceeds to "improve" life back in the 6th century, trying to bring it up to "modern" 19th century standards. Twain makes almost everyone in the 6th century appear dimwitted, or even outright moronic, including King Arthur himself. This is not a trait I have seen attributed to these people of legend before and Twain was actually quite convincing in his representation of these characters. The biggest surprise was the ending, which I won't spoil, but I had assumed I knew exactly how the book was going to wind up, but as it turns out, I think I was wrong, but it was rather vague. Just like the time travel aspect at the beginning, the ending was never fully explained. One of the things that took me by surprise, though, was the strong anti-Catholic Church feeling that the story kept bringing back. He even went so far as to try and convert all of England to a Protestant nation back in the 6th century. Overall, a very thoughtful, funny, and insightful book that will happily go on my must read list.
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